9 Comments

Wonderful poem and wonderful analysis!

To my ear, at least, every line very clearly has four *beats*; it simply has some heavy offbeats (such as “grey” in line 3).

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The Dane wives, and their husbands, saved in the South of England, due to mistress, dead in the North, perhaps for the lack of one.

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Another revelation. Another unforgettable poem. I never knew Kipling was a poet of such power. Thank you! I got additional thrills and chills hearing the poem (unattributed to Kipling) sung by someone called Peter Bellamy as a raw lament, here.

https://www.youtube.com/watch?v=8KIDam7MR4M

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Thanks for bringing to us a poet and poem rarely read and discussion this century, or much of the lasst

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Thank you for this thoughtful analysis; I'm not sure I would have seen the way those images work throughout the poem. The poem makes me think of Tennyson's "Ulysses" but of course from the opposite viewpoint.

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I like your comparison with Tennyson's "Ulysses," as it freshens my thinking about the imaginative impulse behind Tennyson's brilliant poem--Tennyson, a poet cosseted if ever there was one in his long marriage to Emily (for this I recommend Emily Tennyson: The Poet's Wife, by Ann Thwaite, herself the wife of a poet. Of course, the comparison also highlights in my mind the contrasting later years of Kipling, to whom fate brought painful personal losses. I can't help by feel his own impulse came from the going away (to battle and death) of his own son (though the dates may contradict this speculative thought). What a wonderful commentary Professor Roberts provides; I love his scansion, always my challenge.

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The poem is so affecting on its own. But the analysis takes understanding higher and deeper. And as the wife of a sailor (he's the skipper, I'm competent but unenthusiastic crew), I get those Danish wives.

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A splendid analysis—thank you! Good poetry is always worth diving into in this fashion.

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Thank you, beautifully said.

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