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Mark Brown's avatar

The Bread as mere continuing existence, hardly worth praying for. The wine, love, which makes existence palatable. But like you said, he's borrowing religious images, but it doesn't read as a religious theme. There is no transcendent in the lines. It is all immanent. A barely breaking even. Which leaves this reader conflicted. Should his lover and or even love itself be happy that it is enough right now? Or what happens when the hands are not so soft?

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Megan Willome's avatar

Counter Cullen is so underappreciated.

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