
Fame is a fickle food
by Emily Dickinson
Fame is a fickle food Upon a shifting plate Whose table once a Guest but not The second time is set. Whose crumbs the crows inspect And with ironic caw Flap past it to the Farmer’s Corn — Men eat of it and die. ═════════════════════════
In his 1637 poem “Lycidas,” John Milton takes a curious view of fame. The drive for recognition and praise is good, in that “Fame is the spur that the clear spirit doth raise . . . / To scorn delights and live laborious days.” The seeking of fame has a nobility about it, in other words, but it is at last an infirmity — in fact, the “last infirmity of noble mind.” Proper fame, the real praise that we should seek, is not a reward from the world, “nor in broad rumour lies.” Instead it “lives and spreads aloft” by the “perfect witness of all-judging Jove.” God’s “pure eyes” are the source of true fame, which will not be cut off by death, “th’abhorred shears” of the “blind Fury.”
In “Fame is a fickle food,” Emily Dickinson puts a simpler thought — a disdain for the entire thing: “Men eat of it and die.” Numbered 1702 in her collected poems, this is a curious late poem preserved in Susan Dickinson’s handwriting — unfinished, perhaps: a note for a poem, or trimeter interrupted with a pair of dimeter lines.
But as to the thought itself, what are we to say? Emily Dickinson was aware of how good a poet she was, I suspect, but she did not find fame young and essentially gave up on finding it in later life.
There’s more than just sour grapes in “Fame is a fickle food,” however. This is, in some ways, as puritanical a thought — in the strict sense of the word, expressing the sensibility of the Pilgrims — as she ever had. The poem insists that human praise is not only insufficient and unfulfilling, the source a laughing sneer for crows. It’s also actively dangerous and to be shunned.
Those of us with neither fame nor the work that deserves it: Is this a consolation?
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Whether from fame or infamy, men die who partake of it, but then, so do crows that go off to eat the farmer's corn. Since death is a common malady, why not seek some great work, that whether one finishes it or not, a memento of a time or place will remain, if not its creator.